Choosing None of the Above with Meshuggah’s “Destroy Erase Improve”: Prog Review #42
My tentative entrance into the world of metal has already been documented a bit in another review, and now, more than 4 years later (I have been moving along very slowly on these reviews), I’m at another album testing the limits of my appreciation for the genre.
The metal excursion has been illuminating. I can now put a point on what I like and don’t, and it comes down to a turning point in the late 80s and into the 90s. I’ve gotten a lot of enjoyment from the pioneers of metal, Black Sabbath, Motörhead, and Iron Maiden, for example. And Judas Priest; I was listening to nothing but Turbo for about a week recently after diving into the band earlier this year, and their new album is also good. I don’t like hair metal much, but it fits into the same category. Not really that heavy by today’s standards necessarily, but it’s also pushing the boundaries of the rock sound, and showcasing what guitars can do especially.
And then there’s thrash. I thought I was gonna get into thrash mainly because of a couple songs that are alright, notably Metallica’s “One” and “Master of Puppets,” and Testament’s “Souls of Black,” which I enjoyed playing on Rock Band. And then I listened to more of it and knew pretty quickly that thrash wasn’t going to be my in. I tried again last year when I listened to all the 80s albums from the big 4. I do like Anthrax, who are probably more akin to the pioneers in that they have clearer ties to just classic rock territory. I like a few early Metallica songs here and there, but the only album that I would go back to is Kill ‘Em All; again, more of a rock sound. Megadeath I’d like to listen to more of.
But Slayer? Forget it, not for me.
As I listened to the 80s albums, I wanted to see what other big metal bands had albums in the 80s. And that’s when I realized how important the early 90s were in transforming metal from a branch of rock to a genre in itself. It seems like most of the bands inspired by and sounding like the big 4 started releasing albums only in the 90s – Testament, Pantera, Fear Factory, TOOL, etc. All 90s. There are a few more in the 80s, though – Sepultura, White Zombie. Overall, the movement of metal toward something much more about speed and percussive tones begins in the late 80s but becomes a 90s phenomenon. Ironically, Metallica, who was instrumental in that shift, themselves went for a more melodic sound at the same time.
Which brings us to Meshuggah. A whole lot of yelling, thrashing, pounding. There’s some noodling here and there, but this is all just a lot of noise to me. It’s not as bad as Opeth’s Blackwater Park. I can even get into it here and there, but why bother? I know what I like and what I don’t, and no amount of effort is gonna be worth it. If Slayer wasn’t gonna do it for me, why would Meshuggah?
Well, after Slayer made shock the keyword of metal, later bands could come around and tune it up, take the visceral elements that get people moving and marry it to a stronger sense of melody, even if this is buried in the cacophony. As always with these sorts of albums, I like when Destroy Erase Improve steps away from the screams and deafening instrumentation to play something nice. “Acrid Placidity” isn’t much, but it’s a beautiful moment of respite in the centre of the album that shows off the melodic sensibility that is usually walled off behind the sound on other tracks. There’s a bit more pleasantness on “Sublevels,” especially in the outro, but it’s too little too late.
I haven’t listened to this one as much as I usually like to listen to these albums, but it’s just not worth my while.
Pink Floyd - Dark Side of the Moon
King Crimson - In the Court of the Crimson King
Rush - Moving Pictures
Pink Floyd - Wish You Were Here
Yes – Close to the Edge
Genesis - Selling England by the Pound
Jethro Tull - Thick as a Brick
Can - Future Days
Genesis - The Lamb Lies Down on Broadway
Yes - Fragile
Rush - Hemispheres
ELP - Brain Salad Surgery
Pink Floyd - Animals
Genesis - Foxtrot
King Crimson - Red
Gentle Giant - Octopus
Mike Oldfield - Tubular Bells
Frank Zappa - One Size Fits All
Premiata Forneria Marconi - Per Un Amico
King Crimson - Larks’ Tongue in Aspic
Camel - Mirage
Rush - 2112
Tangerine Dream - Phaedra
Magma - Mëkanïk Dëstruktïẁ Kömmandöh
The Mars Volta - Deloused in the Comatorium
Van Der Graaf Generator - Pawn Hearts
Supertramp - Crime of the Century
Opeth - Blackwater Park
Dream Theater - Metropolis, Pt. 2: Scenes From a Memory
U.K. - U.K.
Renaissance - Ashes Are Burning
Kansas - Leftoverture
TOOL - Lateralus
Caravan - In the Land of Grey and Pink
Banco - Io Sono Nato Libero
Harmonium - Si on Avait Besoin d'une Cinquième Saison
Marillion - Clutching at Straws
Gong - You
Porcupine Tree - Fear of a Blank Planet
Soft Machine - Third
Amon Düül II - Yeti
Meshuggah - Destroy Erase Improve
ASK Rankings
Genesis - The Lamb Lies Down on Broadway
Supertramp - Crime of the Century
Genesis - Foxtrot
Caravan - In the Land of Grey and Pink
Marillion - Clutching at Straws
Camel - Mirage
Yes – Close to the Edge
Renaissance - Ashes Are Burning
King Crimson - Red
Gentle Giant - Octopus
Dream Theater - Metropolis, Pt. 2: Scenes From a Memory
Genesis - Selling England by the Pound
Harmonium - Si on Avait Besoin d'une Cinquième Saison
Rush - 2112
Jethro Tull - Thick as a Brick
ELP - Brain Salad Surgery
Amon Düül II - Yeti
U.K. - U.K
Rush - Moving Pictures
King Crimson - In the Court of the Crimson King
Kansas - Leftoverture
Banco - Io Sono Nato Libero
The Mars Volta - Deloused in the Comatorium
Premiata Forneria Marconi - Per Un Amico
Gong - You
Soft Machine - Third
King Crimson - Larks’ Tongue in Aspic
Pink Floyd - Animals
Porcupine Tree - Fear of a Blank Planet
TOOL - Lateralus
Frank Zappa - One Size Fits All
Yes - Fragile
Rush - Hemispheres
Tangerine Dream - Phaedra
Magma - Mëkanïk Dëstruktïẁ Kömmandöh
Pink Floyd - Dark Side of the Moon
Can - Future Days
Mike Oldfield - Tubular Bells
Van Der Graaf Generator - Pawn Hearts
Meshuggah - Destroy Erase Improve
Opeth - Blackwater Park
Pink Floyd - Wish You Were Here