Choosing None of the Above with Meshuggah’s “Destroy Erase Improve”: Prog Review #42

My tentative entrance into the world of metal has already been documented a bit in another review, and now, more than 4 years later (I have been moving along very slowly on these reviews), I’m at another album testing the limits of my appreciation for the genre.

The metal excursion has been illuminating. I can now put a point on what I like and don’t, and it comes down to a turning point in the late 80s and into the 90s. I’ve gotten a lot of enjoyment from the pioneers of metal, Black Sabbath, Motörhead, and Iron Maiden, for example. And Judas Priest; I was listening to nothing but Turbo for about a week recently after diving into the band earlier this year, and their new album is also good. I don’t like hair metal much, but it fits into the same category. Not really that heavy by today’s standards necessarily, but it’s also pushing the boundaries of the rock sound, and showcasing what guitars can do especially.

And then there’s thrash. I thought I was gonna get into thrash mainly because of a couple songs that are alright, notably Metallica’s “One” and “Master of Puppets,” and Testament’s “Souls of Black,” which I enjoyed playing on Rock Band. And then I listened to more of it and knew pretty quickly that thrash wasn’t going to be my in. I tried again last year when I listened to all the 80s albums from the big 4. I do like Anthrax, who are probably more akin to the pioneers in that they have clearer ties to just classic rock territory. I like a few early Metallica songs here and there, but the only album that I would go back to is Kill ‘Em All; again, more of a rock sound. Megadeath I’d like to listen to more of.

But Slayer? Forget it, not for me.

As I listened to the 80s albums, I wanted to see what other big metal bands had albums in the 80s. And that’s when I realized how important the early 90s were in transforming metal from a branch of rock to a genre in itself. It seems like most of the bands inspired by and sounding like the big 4 started releasing albums only in the 90s – Testament, Pantera, Fear Factory, TOOL, etc. All 90s. There are a few more in the 80s, though – Sepultura, White Zombie. Overall, the movement of metal toward something much more about speed and percussive tones begins in the late 80s but becomes a 90s phenomenon. Ironically, Metallica, who was instrumental in that shift, themselves went for a more melodic sound at the same time.

“Acrid Placidity” is a highlight, I guess.

Which brings us to Meshuggah. A whole lot of yelling, thrashing, pounding. There’s some noodling here and there, but this is all just a lot of noise to me. It’s not as bad as Opeth’s Blackwater Park. I can even get into it here and there, but why bother? I know what I like and what I don’t, and no amount of effort is gonna be worth it. If Slayer wasn’t gonna do it for me, why would Meshuggah?

Well, after Slayer made shock the keyword of metal, later bands could come around and tune it up, take the visceral elements that get people moving and marry it to a stronger sense of melody, even if this is buried in the cacophony. As always with these sorts of albums, I like when Destroy Erase Improve steps away from the screams and deafening instrumentation to play something nice. “Acrid Placidity” isn’t much, but it’s a beautiful moment of respite in the centre of the album that shows off the melodic sensibility that is usually walled off behind the sound on other tracks. There’s a bit more pleasantness on “Sublevels,” especially in the outro, but it’s too little too late.

I haven’t listened to this one as much as I usually like to listen to these albums, but it’s just not worth my while.

 

Rolling Stone Rankings

  1. Pink Floyd - Dark Side of the Moon

  2. King Crimson - In the Court of the Crimson King

  3. Rush - Moving Pictures

  4. Pink Floyd - Wish You Were Here

  5. Yes – Close to the Edge

  6. Genesis - Selling England by the Pound

  7. Jethro Tull - Thick as a Brick

  8. Can - Future Days

  9. Genesis - The Lamb Lies Down on Broadway

  10. Yes - Fragile

  11. Rush - Hemispheres

  12. ELP - Brain Salad Surgery

  13. Pink Floyd - Animals

  14. Genesis - Foxtrot

  15. King Crimson - Red

  16. Gentle Giant - Octopus

  17. Mike Oldfield - Tubular Bells

  18. Frank Zappa - One Size Fits All

  19. Premiata Forneria Marconi - Per Un Amico

  20. King Crimson - Larks’ Tongue in Aspic

  21. Camel - Mirage

  22. Rush - 2112

  23. Tangerine Dream - Phaedra

  24. Magma - Mëkanïk Dëstruktïẁ Kömmandöh

  25. The Mars Volta - Deloused in the Comatorium

  26. Van Der Graaf Generator - Pawn Hearts

  27. Supertramp - Crime of the Century

  28. Opeth - Blackwater Park

  29. Dream Theater - Metropolis, Pt. 2: Scenes From a Memory

  30. U.K. - U.K.

  31. Renaissance - Ashes Are Burning

  32. Kansas - Leftoverture

  33. TOOL - Lateralus

  34. Caravan - In the Land of Grey and Pink

  35. Banco - Io Sono Nato Libero

  36. Harmonium - Si on Avait Besoin d'une Cinquième Saison

  37. Marillion - Clutching at Straws

  38. Gong - You

  39. Porcupine Tree - Fear of a Blank Planet

  40. Soft Machine - Third

  41. Amon Düül II - Yeti

  42. Meshuggah - Destroy Erase Improve

ASK Rankings

  1. Genesis - The Lamb Lies Down on Broadway

  2. Supertramp - Crime of the Century

  3. Genesis - Foxtrot

  4. Caravan - In the Land of Grey and Pink

  5. Marillion - Clutching at Straws

  6. Camel - Mirage

  7. Yes – Close to the Edge

  8. Renaissance - Ashes Are Burning

  9. King Crimson - Red

  10. Gentle Giant - Octopus

  11. Dream Theater - Metropolis, Pt. 2: Scenes From a Memory

  12. Genesis - Selling England by the Pound

  13. Harmonium - Si on Avait Besoin d'une Cinquième Saison

  14. Rush - 2112

  15. Jethro Tull - Thick as a Brick

  16. ELP - Brain Salad Surgery

  17. Amon Düül II - Yeti

  18. U.K. - U.K

  19. Rush - Moving Pictures

  20. King Crimson - In the Court of the Crimson King

  21. Kansas - Leftoverture

  22. Banco - Io Sono Nato Libero

  23. The Mars Volta - Deloused in the Comatorium

  24. Premiata Forneria Marconi - Per Un Amico

  25. Gong - You

  26. Soft Machine - Third

  27. King Crimson - Larks’ Tongue in Aspic

  28. Pink Floyd - Animals

  29. Porcupine Tree - Fear of a Blank Planet

  30. TOOL - Lateralus

  31. Frank Zappa - One Size Fits All

  32. Yes - Fragile

  33. Rush - Hemispheres

  34. Tangerine Dream - Phaedra

  35. Magma - Mëkanïk Dëstruktïẁ Kömmandöh

  36. Pink Floyd - Dark Side of the Moon

  37. Can - Future Days

  38. Mike Oldfield - Tubular Bells

  39. Van Der Graaf Generator - Pawn Hearts

  40. Meshuggah - Destroy Erase Improve

  41. Opeth - Blackwater Park

  42. Pink Floyd - Wish You Were Here

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Warming Up to Amon Düül II’s “Yeti”: Prog Review #41