The Golden Mean of ELO’s “Eldorado”: Prog Review #43

Eldorado - Electric Light Orchestra


Electric Light Orchestra is a curious case of a classic prog band that I’ve overlooked due to the expectation that maybe they aren’t proggy enough, and maybe their more popular songs aren’t.

But immediately upon hearing the distorted and looping vocals that give way to a grand orchestral sweep in the “Eldorado Overture,” I knew I was in good hands with Eldorado.

Orchestra is the operative word on this album that is far more symphonic that I expected knowing the band as more of a keyboard-and-guitar-led pop operation (albeit with a variety of other instruments) with hits like “Mr. Blue Sky,” “Evil Woman,” and “Don’t Bring Me Down.” On this record, the prog ambitions are much clearer to me. Part of this has to do with the album combining two of my favourite features: seamless transitions between songs and melodies that recur on multiple songs.

More importantly, ELO here develops the full potential of incorporating classical music into rock, and more uniquely, contemporary pop. While just about every other 70s prog band I’ve reviewed is interested on some level in being a rock band, only ELO draws earnestly on the style of cheesy ballads that were so popular at the time. The lush strings and Jeff Lynne’s warm and wide-ranging vocal style recall the adult contemporary hits of the time.

Still, as the album’s subtitle claims, Eldorado: A Symphony by the Electric Light Orchestra is firmly anchored in classical music, which becomes a hub for the wide-ranging touches of other genres that alternately become fused to this core genre. It is the definition of symphony, a beautiful harmony of different sounds. From the otherworldly intro that slips into a classical overture, the album continually visits other musical spheres as it wanders from the lush balladry of “Can’t Get it Out of My Head” and “Boy Blue,” toward the western-folk vibes of “Laredo Tornado” and “Poorboy,” winding through the alternatively sad and spacey “Mister Kingdom,” which leads into the sleazy jazz showtune “Nobody’s Child” and shifts to the old school rock and roll flex of “Illusions in G Minor” before playing out with the grandiose piano ballad “Eldorado” and the finale.

Breakdown on the shoreline / Can't move, it's an ebb tide / Morning don't get here tonight / Searching for her silver light.

-”Can’t Get it Out of My Head”

As the album explores these subtle shifts in style, I find it hard to distinguish one song from another. Not that the album is repetitive or indistinct. Rather, there is a careful arrangement of the tracks with a clear understanding of how it all fits together to form a single listening experience. Obviously, my feelings of recurrence are a deliberate feature of the album. “Boy Blue” and “Poorboy” are not just similarly named: they also have similar melodies and lyrics that can easily be confused for one another. “Boy Blue” tells of “Kings Rolling in the Mire,” and then “Poorboy” sings of “Rollin’ … head high from the battle won.” At just under 40 minutes, with a simple, clean execution, Eldorado does concept album the way I love it best, where both the music and the lyrics form a coherent whole, justifying the project and the idea of concept albums more generally.

This is an album that is immediately likeable and also rewarding with each listen. A pleasant surprise that has me eager to dig into some more ELO albums. More like Renaissance than ELP, Electric Lights Orchestra seems intent, on this album at least, to explore genre fusions that privilege warm melody and emotional highs to create simply wonderful music.

Rolling Stone Rankings

  1. Pink Floyd - Dark Side of the Moon

  2. King Crimson - In the Court of the Crimson King

  3. Rush - Moving Pictures

  4. Pink Floyd - Wish You Were Here

  5. Yes – Close to the Edge

  6. Genesis - Selling England by the Pound

  7. Jethro Tull - Thick as a Brick

  8. Can - Future Days

  9. Genesis - The Lamb Lies Down on Broadway

  10. Yes - Fragile

  11. Rush - Hemispheres

  12. ELP - Brain Salad Surgery

  13. Pink Floyd - Animals

  14. Genesis - Foxtrot

  15. King Crimson - Red

  16. Gentle Giant - Octopus

  17. Mike Oldfield - Tubular Bells

  18. Frank Zappa - One Size Fits All

  19. Premiata Forneria Marconi - Per Un Amico

  20. King Crimson - Larks’ Tongue in Aspic

  21. Camel - Mirage

  22. Rush - 2112

  23. Tangerine Dream - Phaedra

  24. Magma - Mëkanïk Dëstruktïẁ Kömmandöh

  25. The Mars Volta - Deloused in the Comatorium

  26. Van Der Graaf Generator - Pawn Hearts

  27. Supertramp - Crime of the Century

  28. Opeth - Blackwater Park

  29. Dream Theater - Metropolis, Pt. 2: Scenes From a Memory

  30. U.K. - U.K.

  31. Renaissance - Ashes Are Burning

  32. Kansas - Leftoverture

  33. TOOL - Lateralus

  34. Caravan - In the Land of Grey and Pink

  35. Banco - Io Sono Nato Libero

  36. Harmonium - Si on Avait Besoin d'une Cinquième Saison

  37. Marillion - Clutching at Straws

  38. Gong - You

  39. Porcupine Tree - Fear of a Blank Planet

  40. Soft Machine - Third

  41. Amon Düül II - Yeti

  42. Meshuggah - Destroy Erase Improve

  43. Electric Light Orchestra: Eldorado

ASK Rankings

  1. Genesis - The Lamb Lies Down on Broadway

  2. Supertramp - Crime of the Century

  3. Genesis - Foxtrot

  4. Caravan - In the Land of Grey and Pink

  5. Marillion - Clutching at Straws

  6. Camel - Mirage

  7. Yes – Close to the Edge

  8. Renaissance - Ashes Are Burning

  9. King Crimson - Red

  10. Gentle Giant - Octopus

  11. Dream Theater - Metropolis, Pt. 2: Scenes From a Memory

  12. Genesis - Selling England by the Pound

  13. Electric Light Orchestra: Eldorado

  14. Harmonium - Si on Avait Besoin d'une Cinquième Saison

  15. Rush - 2112

  16. Jethro Tull - Thick as a Brick

  17. ELP - Brain Salad Surgery

  18. Amon Düül II - Yeti

  19. U.K. - U.K

  20. Rush - Moving Pictures

  21. King Crimson - In the Court of the Crimson King

  22. Kansas - Leftoverture

  23. Banco - Io Sono Nato Libero

  24. The Mars Volta - Deloused in the Comatorium

  25. Premiata Forneria Marconi - Per Un Amico

  26. Gong - You

  27. Soft Machine - Third

  28. King Crimson - Larks’ Tongue in Aspic

  29. Pink Floyd - Animals

  30. Porcupine Tree - Fear of a Blank Planet

  31. TOOL - Lateralus

  32. Frank Zappa - One Size Fits All

  33. Yes - Fragile

  34. Rush - Hemispheres

  35. Tangerine Dream - Phaedra

  36. Magma - Mëkanïk Dëstruktïẁ Kömmandöh

  37. Pink Floyd - Dark Side of the Moon

  38. Can - Future Days

  39. Mike Oldfield - Tubular Bells

  40. Van Der Graaf Generator - Pawn Hearts

  41. Meshuggah - Destroy Erase Improve

  42. Opeth - Blackwater Park

  43. Pink Floyd - Wish You Were Here

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Choosing None of the Above with Meshuggah’s “Destroy Erase Improve”: Prog Review #42