Warming Up to Amon Düül II’s “Yeti”: Prog Review #41

Amon Düül II - Yeti

When I come to an album and artist that’s a complete blank to me, I worry that it will be something dense or off-putting and difficult to get into, something that’s gonna make me work in order to like it. Looking at the final 10 albums on Rolling Stone’s list, I see nothing I’ve heard before and only a couple bands about whom I know anything. That’s why I had a lot of apprehension going into this home stretch.

So, it was a wonderful surprise that I was into Amon Düül II’s Yeti (1970) from moment one. The opening riff is very much in the world of classic rock and roll. Inviting and familiar, it’s reminiscent of the Kinks’ “All Day and All of the Night” at the same time as more contemporary psychedelia. The back-and-forth between the crunchy riff and the short bass-driven buildup creates an inviting space that instilled in me a lot of good will for the rest of the album.

A Different Musical Language

I’ll sometimes use words like transcendent or glorious to describe music in these reviews; that’s not the kind of language I’d use for this album. Some of my favourite prog tracks build toward a singular moment in the song when everything hits an emotional peak—the middle instrumental section of “Firth of Fifth” comes to mind—but this is not how this album works. The strength of Yeti is instead the vibe that carries through entire songs and each side of this double album. From that warm opening, I’m in the right headspace for everything that follows, sort of the reverse of more demanding prog that strings you along for quite a while before providing some excitement or catharsis.

My daughter! Soon you'll be released / They say you are the one / Who stole the neighbour's babies / The witness pointed at the chimney / And said this is her way home.
-”Flesh-Coloured Anti-Aircraft Alarm”

The first side is the most coherent set of songs—Wikipedia in fact lists the first 5 tracks as a suite. The opening track, “Sister Burning,” has a very short moment right in the outro where the lead guitar hits a couple dramatic high notes, but that’s just part of the longer groove that runs through the whole track. This is maintained with hardly a moment’s breath as “Halluzination Guillotine” begins. It’s a bit slower and less fluid, but has a similar energy, particularly in the rhythm guitar. The drums are less restrained though, playing round the kit while the vocals go the other way, more controlled and melodic than on the first track. A short mock opera interlude and then we hit the standout “Flesh-Coloured Anti-Aircraft Alarm.”

Thanks to the more restrained and structured songs that precede it, I’m fully onboard for the chaos of this so-called alarm. Despite the trippiness of the vocals and background instruments, Amon Düül II keeps the song focused with grounded basslines and harmonious strumming. This foundation is present just about everywhere on the album, allowing the lead guitar, keys, percussion, and flute to wander about. The result is music that is complex and rich, never boring, but also undemanding, even pleasant despite how much is going on. A nice touch on this last part of the suite is the return of that opening riff right at the end. Then, rounding out the first quarter is a beautiful bongo-heavy instrumental, “She Came Through the Chimney.”   

Changing It Up

The second side takes things a little trippier with “Eye Shaking King” and its theremin-y vocals along with the eastern-influenced “Cerberus.” There’s also the hard rocking “Archangels Thunderbird,” the band’s most popular song, at least judging by Spotify numbers.

There’s a contrast between the relative structure of side A and the freakier side B. Both end with short instrumentals, but “Pale Gallery” is an ominous, gloomy number. Very different from the gentle warmth of “She Came Through the Chimney.”

The second album flips things around once more with 3 improvised songs. The side-length “Yeti” and the following track, “Yeti Talks to Yogi” take the atmospheric, rather than rocking, approach to psychedelic music. Both tracks feature most of the instruments setting a mood or a backdrop for guitar wailing that comes in and out. The closer, “Sandoz in the Rain” comes back to the eastern influence with its acoustic lead and a lot of flute with some nasally vocal flourishes.

These last three songs don’t have the same appeal as the rest, but they do show off a band that’s as comfortable taking the King Crimson approach as they are performing undeniable bangers.

If the rest of the final 10 albums as are as inviting as this one, I’ll be in for a good time.

  Rolling Stone Rankings

  1. Pink Floyd - Dark Side of the Moon

  2. King Crimson - In the Court of the Crimson King

  3. Rush - Moving Pictures

  4. Pink Floyd - Wish You Were Here

  5. Yes – Close to the Edge

  6. Genesis - Selling England by the Pound

  7. Jethro Tull - Thick as a Brick

  8. Can - Future Days

  9. Genesis - The Lamb Lies Down on Broadway

  10. Yes - Fragile

  11. Rush - Hemispheres

  12. ELP - Brain Salad Surgery

  13. Pink Floyd - Animals

  14. Genesis - Foxtrot

  15. King Crimson - Red

  16. Gentle Giant - Octopus

  17. Mike Oldfield - Tubular Bells

  18. Frank Zappa - One Size Fits All

  19. Premiata Forneria Marconi - Per Un Amico

  20. King Crimson - Larks’ Tongue in Aspic

  21. Camel - Mirage

  22. Rush - 2112

  23. Tangerine Dream - Phaedra

  24. Magma - Mëkanïk Dëstruktïẁ Kömmandöh

  25. The Mars Volta - Deloused in the Comatorium

  26. Van Der Graaf Generator - Pawn Hearts

  27. Supertramp - Crime of the Century

  28. Opeth - Blackwater Park

  29. Dream Theater - Metropolis, Pt. 2: Scenes From a Memory

  30. U.K. - U.K.

  31. Renaissance - Ashes Are Burning

  32. Kansas - Leftoverture

  33. TOOL - Lateralus

  34. Caravan - In the Land of Grey and Pink

  35. Banco - Io Sono Nato Libero

  36. Harmonium - Si on Avait Besoin d'une Cinquième Saison

  37. Marillion - Clutching at Straws

  38. Gong - You

  39. Porcupine Tree - Fear of a Blank Planet

  40. Soft Machine - Third

  41. Amon Düül II - Yeti

ASK Rankings

  1. Genesis - The Lamb Lies Down on Broadway

  2. Supertramp - Crime of the Century

  3. Genesis - Foxtrot

  4. Caravan - In the Land of Grey and Pink

  5. Marillion - Clutching at Straws

  6. Camel - Mirage

  7. Yes – Close to the Edge

  8. Renaissance - Ashes Are Burning

  9. King Crimson - Red

  10. Gentle Giant - Octopus

  11. Dream Theater - Metropolis, Pt. 2: Scenes From a Memory

  12. Genesis - Selling England by the Pound

  13. Harmonium - Si on Avait Besoin d'une Cinquième Saison

  14. Rush - 2112

  15. Jethro Tull - Thick as a Brick

  16. ELP - Brain Salad Surgery

  17. Amon Düül II - Yeti

  18. U.K. - U.K

  19. Rush - Moving Pictures

  20. King Crimson - In the Court of the Crimson King

  21. Kansas - Leftoverture

  22. Banco - Io Sono Nato Libero

  23. The Mars Volta - Deloused in the Comatorium

  24. Premiata Forneria Marconi - Per Un Amico

  25. Gong - You

  26. Soft Machine - Third

  27. King Crimson - Larks’ Tongue in Aspic

  28. Pink Floyd - Animals

  29. Porcupine Tree - Fear of a Blank Planet

  30. TOOL - Lateralus

  31. Frank Zappa - One Size Fits All

  32. Yes - Fragile

  33. Rush - Hemispheres

  34. Tangerine Dream - Phaedra

  35. Magma - Mëkanïk Dëstruktïẁ Kömmandöh

  36. Pink Floyd - Dark Side of the Moon

  37. Can - Future Days

  38. Mike Oldfield - Tubular Bells

  39. Van Der Graaf Generator - Pawn Hearts

  40. Opeth - Blackwater Park

  41. Pink Floyd - Wish You Were Here

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