Warming Up to Amon Düül II’s “Yeti”: Prog Review #41
It was a wonderful surprise that I was into Amon Düül II’s Yeti (1970) from moment one.
Halfway to Soft Machine’s “Third”: Prog Review #40
There’s something unfair about this entire project of listening to an album with the purpose of generating content, a review that both forms a judgment of the artist and some pithy observations about music, culture in general, or myself.
Feeling Euphoric with Caravan "In the Land of Grey and Pink": Prog Review #34
Freedom and silliness and musical bliss are what this album is all about.
Time Travel and Bananas: A NOCKAT Review
What do bananas, Reno, The Jerky Boys, and alternate universe weather reports have in common?
In a Different Reality, I Might Have Called This Great: Star Trek S1E14, “Balance of Terror”
Just in case you thought the episode was running out of poignancy, there's more!
Seeing Doubles in Camel's "Mirage": Prog Review #21
If I had discovered Camel in my teens or early 20s, they would probably be one of my favourite bands right now.
King Crimson's "Larks' Tongue in Aspic" is an Acquired Taste: Prog Review #20
The album intrigues me for the same reason I don't love it: with the exception of "Exiles," all the songs promise more than they deliver.
A Friendly Encounter With PFM's "Per Un Amico": Prog Review #19
Per Un Amico has moments that would sound right at home on albums by Yes, Genesis, King Crimson, ELP, Gentle Giant, and probably a bunch of others. At times, the sounds are even suspiciously similar to specific tunes from those bands.
Getting Comfortable With Frank Zappa's "One Size Fits All": Prog Review #18
Zappa's actual music was a total blank to me, however, and after listening to One Size Fits All, I'd say my nearly baseless assessment of Zappa was 75% correct.
Flailing About With Gentle Giant's "Octopus": Prog Review #16
If you want to justify someone's fear or distaste for the overly complex, intellectual, and alienating qualities of progressive music, look no further than Gentle Giant's Octopus; but if they can get some joy out of it, the battle is forever won.
Stop for King Crimson's "Red": Prog Review #15
The story goes that Kurt Cobain said without Red there would be no Nirvana. But I don’t hold that against this album.
Dancing in Time to Genesis's "Foxtrot": Prog Review #14
I don’t just love Foxtrot; I feel a special attachment to it. And, yet, it is still only my third-favourite Genesis album.
Dressing for ELP's "Brain Salad Surgery": Prog Review #12
The band’s try-anything approach and rapidly shifting soundscapes can be alienating, making it music you have to work hard to appreciate. Yet forcing myself to listen to this album has been a real treat
Rush’s “Hemispheres” Subdivided: Prog Review #11
Tl;dr: I should be listening to A Farewell to Kings instead.
Savouring Genesis's "The Lamb Lies Down on Broadway": Prog Review #9
This album is all about growth, identity, change. It makes sense as a quest narrative, because so many heroes go through these sorts of dilemmas. They are on a set course for life, but something monumental happens, and suddenly they have to question and change, and fight.
One Beep for a Dying Colonialism: Star Trek TOS, S1Ep11 and 12, "The Menagerie"
The ideal of an harmonious human race necessitates external threats, but the fantasy of the show is pernicious by making the threatening aliens so frequently absent. This works as a variation of Edward Said’s concept of Orientalism in that discourse about the other (aliens) is controlled by European (Federation) writers, so that the subjects of inquiry are given no voice in creating a knowledge base about them. The result is a total demonization of the other that justifies continued cultural and political domination via colonization.
"Thick as a Brick" Through Glass: Prog Review #7
But my dread of writing this album review played a small part as well. I listened to Thick as a Brick many times over a period of weeks at the beginning of my hiatus, hoping I would be inspired to find some point of focus. But the meandering, sprawling, impenetrable world of this album offered me little to latch onto because its vastness leaves me lost.
Getting a Great Deal "Selling England by the Pound": Prog Review #6
If you’ve read my previous reviews or know my contrarian nature firsthand, you won’t be surprised to learn that Selling England by the Pound is not my favourite Genesis album. It doesn’t even make my top three.
Still, it’s easy to see why this is considered the band's best.
More Than "Close to the Edge" of Greatness: Prog Review #5
I’m pretty sure a degree in musicology is prerequisite for writing about Yes: a Master’s at least for an album like Close to the Edge. I’m going stream of conscious this week because writing intelligently on Yes would take way too long.